장단·악조·이론 · 40 / 40개

🪕장단

Jangdan (Korean rhythmic cycle system)

🪕진양조

Jinyangjo (slowest rhythmic cycle)

🪕중모리장단

Jungmori Jangdan (moderate twelve-beat cycle)

🪕중중모리장단

Jungjungmori Jangdan (lively dance-like cycle)

🪕자진모리장단

Jajinmori Jangdan (fast four-beat compound cycle)

🪕휘모리장단

Hwimori Jangdan (rapid duple-meter cycle)

🪕엇모리장단

Eonmori Jangdan (asymmetric ten-eighth cycle)

🪕엇중모리장단

Eotjungmori Jangdan (six-beat rhythmic cycle)

🪕굿거리장단

Gutgeori Jangdan (graceful twelve-eighth cycle)

🪕세마치장단

Semachi Jangdan (brisk triple-beat cycle)

🪕타령장단

Taryeong Jangdan (twelve-eighth dance cycle)

🪕자진타령장단

Jajintaryeong Jangdan (fast taryeong cycle)

🪕도드리장단

Dodeuri Jangdan (six-beat court rhythmic cycle)

🪕매화점장단

Maehwajeom Jangdan (ten-beat gagok rhythmic cycle)

🪕악조

Akjo (Korean modal system)

🪕평조

Pyeongjo (placid pentatonic mode)

🪕계면조

Gyemyeonjo (sorrowful pentatonic mode)

🪕우조

Ujo (noble pentatonic mode)

🪕토리

Tori (regional folk musical idiom)

🪕경토리

Gyeongtori (Gyeonggi regional musical idiom)

🪕수심가 토리 (수심가토리)

Susimga Tori (Seodo regional musical idiom)

🪕메나리 토리 (메나리토리)

Menari Tori (eastern regional musical idiom)

🪕육자배기 토리 (육자배기토리)

Yukjabaegi Tori (Namdo regional musical idiom)

🪕시김새

Sigimsae (melodic ornamentation and shading)

🪕농현

Nonghyeon (left-hand string vibrato and inflection)

🪕요성

Yoseong (sustained pitch vibrato)

🪕퇴성

Toeseong (downward sliding pitch inflection)

🪕추임새

Chuimsae (vocal calls of encouragement)

🪕한배

Hanbae (breathing-based tempo pacing)

🪕율명

Yulmyeong (Korean twelve-pitch names)

🪕십이율

Sibiyul (twelve-pitch chromatic system)

🪕율려

Yullyeo (six yang and six yin pitches)

🪕삼분손익법

Sambunsonikbeop (alternate third-adding pitch tuning)

🪕팔음

Pareum (eight-material instrument classification)

🪕정간보

Jeongganbo (mensural square-grid notation)

🪕합자보

Hapjabo (geomungo tablature notation)

🪕오음약보

Oeumyakbo (five-tone relative pitch notation)

🪕율자보

Yuljabo (pitch-name initial letter notation)

🪕공척보

Gongcheokbo (character pitch notation)

🪕육보

Yukbo (mnemonic syllable notation)